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Resilient Hues

A close up of several paint chips of different colors–red, yellow, blue, orange–stacked on top of each other.

Amanda Williams, Chicago, IL, and Olalekan Jeyifous, Brooklyn, NY, 2024

Some of the paint chips that inspired Resilient Hues.

Installation

  • Main entrance

  • Free

Amanda Williams and Olalekan Jeyifous blur the lines between art and architecture in their collaborative work, reimagining social spaces and examining the relationship between race, place, community, and the environment. 

Resilient Hues draws inspiration from paint chips that the Museum collected and preserved after the last remaining residents moved out of this building, which was once part of the Jane Addams Homes. The installation shouts out the exuberance of public housing residents, many of whom decorated their apartments in vivid colors in defiance of the Chicago Housing Authority, which offered residents only a few options of paint color, such as beige and light green, if they got to decide at all. The scattered paint chips are also testimony to the painful and enduring diaspora of public housing residents displaced from their homes to make way for urban renewal, new developments, and gentrification.  

In 2019, Williams and Jeyifous won a national competition to design the threshold to the National Public Housing Museum.



More exhibitions

View from above, a white, purple, orange, and blue geometric mural turns a parking lot into a play space

OOPS & HOOPcycle

Conceptualized by artist Marisa Morán Jahn and architect Rafi Segal, the mobile art installation HOOPcycle offers a reimagined sports experience that challenges norms and unites communities through play.

A Black person sits on a couch and holds a baby on her lap

Feeling At Home

Beyond the uniform exteriors of public housing buildings, there are apartment units with unique, enthralling, and carefully curated interiors.

A concrete wall with peeling layers of tan and blue paint. Graffiti in the top left corner says “Abandon Hope.” In the bottom left corner, graffiti that once said “ENTER HERE” is peeling off and obstructed so it only reads “NTER HE.”

Care to Look

Throughout the National Public Housing Museum, you will encounter objects that were salvaged from the original Jane Addams Homes building that now serves as our home. You are invited to consider what these preserved artifacts from the building have to say about the style, culture, and history of public housing…


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