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There’s really no such thing as the ‘voiceless’. There are only the deliberately silenced, or the preferably unheard.

Arundhati Roy, 2004
Arundhati-Roy

Listen to Our Stories

  • A young Danté sits at a desk, reviewing notes from a yellow legal pad. He is wearing a brown shirt and white vest.
    Interview

    E. Dantés Hamilton

    Listen to Mr. Danté, a member of NPHM’s E-Hub, reflect on his time at Garden Valley Estates Public Housing in Cleveland, OH.
  • Copy of Pegues, Janetta_Bio Photo with Roz Warren
    Interview

    Janetta Pegues

    Listen to Janetta reflect on her time in “The Village,” aka ABLA Homes. 
  • Listen to a captivating oral history from Dr. Timuel Black, historian and activist.
    Interview

    Dr. Timuel Black

    Listen to Dr. Timuel Black reflect on his life, from his birth in Birmingham, AL, to growing up in Chicago and his career as an oral historian.

Activating the Archive

Policy x Culture with Roosevelt University

In 2020–2021, NPHM staff collaborated with faculty at Roosevelt University’s Policy Research Collaborative (PRC) to develop a class called “Creative Public Policy Interventions.”
In this class, undergraduate and graduate students learned about collaborative research and creative scholarship methodologies. Semester-long projects included collaborating with the Museum to develop zine resources that bridge arts, culture, and creative public policy-making.
Vol. IV: Public Housing Displacement Vol. IV: Public Housing Displacement
Vol. I: Land Sale Contracts Vol. I: Land Sale Contracts
Vol. II: Public Housing Disinvestment Vol. II: Public Housing Disinvestment
Vol. III: Public Housing Deterioration Vol. III: Public Housing Deterioration

Oral History Archive Resources

  • Trauma Informed Resources & Aftercare

    Oral histories can venture into painful areas of one’s life story—especially for narrators who hold marginalized identities. Check out these resources for conducting interviews from a trauma-informed lens, plus aftercare resources for narrators and oral historians.
  • The cover page of the workbook for the Beauty Turner Academy of Oral History. The background is a cream sepia color, with the academy logo in blue, orange, and black. A high rise public housing building in black and gray is on the right side and an overlay collage of journal writing and a scene of two people walking on the grounds of public housing on the bottom left.

    Beauty Turner Academy Workbook

    Interested in learning oral history on your own? Check out our Beauty Turner Academy (BTA) Workbook, developed and printed after our first full cohort (2023).
  • Mr. Larry Turner reviews the release form and other paperwork before starting his oral history interview with Troy Gaston, who is preparing, and Liú Chen (taking the photo). Larry is wearing a red striped shirt and has a friend sitting next to him; Troy is wearing a Green Roosevelt University shirt.

    Policies, Best Practices, & Beyond

    Learn about the Policies and Best Practices that govern our Oral History Archive. These continue to to be developed with the brilliant support of several archival advisors who specialize in decolonizing and liberation-centered archives.

Meet the Crew

The NPHM Oral History Collective is a dedicated group of community members who have been rigorously trained in the practices and philosophies of oral history.

In line with the disability justice tenet of “Nothing about us without us,” the Collective is primarily made up of people with lived experience in publicly-funded housing, or other meaningful connections to publicly-funded housing. Most become a part of the Collective through the Beauty Turner Academy of Oral History training series.

The Oral History Programs are generously supported by the Gaylord & Dorothy Donnelley Foundation and the National Endowment for the Humanities.
Contact Us

Please email NPHM Oral History Programs Manager, Liú Chen, with any questions, concerns, or if you’re interested in getting involved.

Email Us Today

The logos of the Gaylord and Dorothy Donnelley Foundation and the National Endowment for the Humanities.