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When the Market Isn’t An Option Image of Zine Cover

Click each zine cover to read the issue. If you’re interested in owning a physical copy of the zines, follow the link below to head over to the Corner Store Co-op, the museum’s resident-owned and operated store, to buy your copy online.

Buy your copies here.


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    Programmatic Archive Activation

    Volume I: Land Sale Contracts

    The first volume of the series, “Land Sale Contracts” connects to and features the work of previous Artist as Instigator Tonika Lewis Johnson. Tonika and the team spotlight and unpack the legal theft of Black wealth through racist real estate practices during the 1950s and 60s.
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    Programmatic Archive Activation

    Volume II: Public Housing Disinvestment

    This volume, “Public Housing Disinvestment,” looks at the creation of public housing and the gradual disinvestment on the federal and local levels—especially as more Black residents moved into public housing.
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    Programmatic Archive Activation

    Volume III: Public Housing Deterioration

    This volume, “Public Housing Deterioration,” looks at how the conditions of public housing degraded between the 1970s to the present day due to disinvestment, neglect, and the so-called “War on Drugs.” This zine also looks at the depiction of public housing in popular culture and the impact of demolition on public housing communities.
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    Programmatic Archive Activation

    Volume IV: Public Housing Displacement

    This volume, Public Housing Displacement, assesses the ongoing demolition and privatization of public housing and their effects on the state of public housing across the country.

About this Archive Activation

In 2021, NPHM staff collaborated with faculty and students of the Policy Research Collaborative (PRC) at Roosevelt University to develop a partnership which resulted in the creation of the zine series. The class used collaborative research and creative scholarship methodologies, engaging with the Museum as a critical resource to bridge between arts & culture, and creative public policy-making.

The cohort of interns recruited from this class worked with the Museum’s community partners, including the 2021 Artist as Instigator Tonika Lewis Johnson and her Inequity for Sale project, to conduct interviews and utilize stories from our Oral History Archive to develop policy interventions around housing security, housing discrimination, and the racial wealth gap, some of the most pressing issues of our time.

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What’s a zine?

The origins of zines, or fanzines, go back to the 1930s science fiction fans self-publishing their own stories in response to their favorite novels, creating their own distribution and publishing networks. During the 60s, zines became an influential source of information for social and political activists, using creative power to illuminate important conversations and perspectives. Their distribution networks were complex and helped to exchange ideas in a pre-Internet era.


Meet the Zine Team

  • A photo of Juanairis Castaneda. The photo is a close up of Juanairis, a Latinx nonbinary person. She has long black hair and bangs and is wearing dark cat-eye eyeliner.

    Juanairis Castaneda

    (she / they)

  • A black and white photo of Jack Werner. This photo shows Jack, a white man with pushed back blonde-ish hair, open mouth smiling. He is wearing a dark colored button up shirt.

    Jack Werner

    (he / him)

  • A photo of Sophia Gallo. Sophia, a light-skinned nonbinary person, is wearing thin, silver glasses and two purple and red earrings. Sophia has a nose ring and choppy brown hair that comes to their shoulders. There are two 70s inspired art prints behind her.

    Sophia Gallo

    (she / they)

  • A photo of Alexyss Wofford. Alexyss, a white woman, has long blonde hair and is wearing pink glasses. She has a wooly jacket on and is carrying a green folder. She is smiling slightly. Behind her, there are Christmas lights and some out of season bushes and a tree with red leaves to her right, and a tree with green leaves to her left.

    Alexyss Wofford

    (she / her)

  • A photo of Victoria Límón. Victoria has an olive complexion and is wearing a jean jacket. She is framed in the bottom of the photo and is looking towards the camera. She has a cream, green, and brown head scarf tied up to her long, brown hair.

    Victoria M. Limón

    (she / her)


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